Irene V. Small

First name

Irene V.

Last name

Small

Small, Irene V., Beatriz E. Balanta, and Rachel L. Price. 2021. “Slip of the Teeth”. Texte Zur Kunst. Publisher’s Version: Slip of the Teeth.

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Small, Irene V. 2021. “Negative Capability: Irene V. Small on Leonilson’s Ninguém, 1992”. Artforum International. Publisher’s Version: Negative Capability: Irene V. Small on Leonilson’s Ninguém, 1992.

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Small, Irene V. 2019. “Bodies of Or Things”. In Sur Moderno: Journeys of Abstraction, The Patricia Phelps De Cisneros Gift, 100-107. New York: Museum of Modern Art. Exhibition Link: Bodies of/or Things.

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Small, Irene V. 2007. “Verbivocovisual”. Brazilian Concrete Poetry. New York: CiberLetras. Publisher’s Version: Verbivocovisual.

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Small, Irene V. 2014. “Other Primary Structures: Working Through, Acting Out”. What Does the Other Do? Colección Cisneros Debates. New York and Caracas: Colección Patricia Phelps de Cisneros . Publisher’s Version: Other Primary Structures: Working Through, Acting Out.

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Small, Irene V. 2019. “A Tribute to Okwui Enwezor”. In Memoriam. Brooklyn: The Brooklyn Rail.

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Small, Irene V. 2012. “‘Ped•a•go•gia: Como Fazer Coisas Com palavras’ (Ped•a•go•gia: How To Do Things With Words)”. Reconfigurações Do Público: Arte, Pedagogia E participação. Publisher’s Version: “Ped•a•go•gia: Como fazer coisas com palavras” (Ped•a•go•gia: How To Do Things With Words).

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Small, Irene V. 2018. “Translation: ‘The Equal and the Different’ [Eduardo Viveiros De Castro, c.1975]”. Publisher’s Version: Translation: “The Equal and the Different” [Eduardo Viveiros de Castro, c.1975].

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Small, Irene V. 2010. “Our Literal Speed”. Journal of Visual Culture Vol. 9 (2): 237-41. Publisher’s Version: Our Literal Speed.

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Small, Irene V., and Gabriel Pérez-Barreiro. 2017. “Translation: ‘Apex and Rupture in the Brazilian Constructive Project’ [Ronaldo Brito, 1975]”. Publisher’s Version: Translation: “Apex and Rupture in the Brazilian Constructive Project” [Ronaldo Brito, 1975].

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Small, Irene V. 2021. “The Myths of Hélio Oiticica”. In A Companion to Modern and Contemporary Latin American and Latino Art. London: Wiley Blackwell. Publisher’s Version: The Myths of Hélio Oiticica.

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Small, Irene V. 2014. “On Zilia Sánchez’s Surface”. In Zilia Sánchez, 5-9. New York: Galerie Lelong. Publisher’s Version: On Zilia Sánchez’s Surface.

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Small, Irene V. 2014. “Towards a Deliterate Cinema; Hélio Oiticica’s and Neville D’Almeida’s Block-Experiences in Cosmococa—Program in Progress (1973)”. In On Performativity. Vol. 1. Minneapolis: Walker Art Center. Publisher’s Version: Towards a Deliterate Cinema; Hélio Oiticica’s and Neville D’Almeida’s Block-Experiences in Cosmococa—Program in Progress (1973).

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Small, Irene V. 2019. “Plasticity and Reproduction: Tarsila’s A Negra”. In Tarsila Do Amaral: Cannibalizing Modernism, 38-53. São Paulo: Museu de Arte de São Paulo. Publisher’s Version: Plasticity and Reproduction: Tarsila’s A Negra.

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Small, Irene V. 2014. “Response”. In Retracing the Expanded Field: A Conference in Art and Architecture, 195-201. Cambridge: MIT Press . Publisher’s Version: Response.

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Small, Irene V. 2009. “Saint Matorel; Hercules Killing the Centaur Nessus; 40 Dessins De Picasso En Marge Du Buffon; Painter and Model Knitting; Le Chant Des Morts; De mémoire d’homme; First Steps; Balzacs En Bas De Casse Et Picassos Sans Majuscule; Study of Profiles”. In Picasso and the Allure of Language, 54-61, 104. New Haven: Yale University Press. Publisher’s Version: Saint Matorel; Hercules Killing the Centaur Nessus; 40 dessins de Picasso en marge du Buffon; Painter and Model Knitting; Le chant des morts; De mémoire d’homme; First Steps; balzacs en bas de casse et picassos sans majuscule; Study of Profiles.

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Small, Irene V. 2017. “‘On and Off Art: Irene V. Small on Allora and Calzadilla’s Puerto Rican Light (Cueva Vientos), 2015’”. Artforum International. Publisher’s Version: “On and Off Art: Irene V. Small on Allora and Calzadilla’s Puerto Rican Light (Cueva Vientos), 2015”.

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Small, Irene V. 2010. “‘Material Remains: On the Afterlife of Hélio Oiticica’s Work’”. Artforum International. Publisher’s Version: “Material Remains: On the Afterlife of Hélio Oiticica’s Work”.

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Small, Irene V. 2013. “‘Against Depth: Looking at Surface through the Kodak Carousel’”. In Mad Men, Mad World: Sex, Politics, Style and the 1960s , 181-91. Durham: Duke University Press. Publisher’s Version: “Against Depth: Looking at Surface through the Kodak Carousel”.

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Small, Irene V. 2016. “Permanent Evolution: Hélio Oiticica and the Return to Rio 1978-1980”. In Hélio Oiticica: To Organize Delirium, 256-68. Pittsburgh: Carnegie Museum of Art. Publisher’s Version: Permanent Evolution: Hélio Oiticica and the Return to Rio 1978-1980.

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Small, Irene V. 2016. Hélio Oiticia: Folding the Frame . Chicago: University of Chicago Press. Publisher’s Version: Hélio Oiticia: Folding the Frame .

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Small, Irene V. 2015. “Passing the Time of Pictures, Inhabiting the Network’s Pause”. In Gabriel Sierra, 139-67.

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Small, Irene V., and Tumelo Mosaka. 2013. Blind Field. Champaign: Krannert Art Museum. Exhibition Link: Blind Field.

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Small, Irene V. 2015. “Pigment Pur and the Corpo Da Côr: Post-Painterly Practice and Transmodernity”. October, no. 152: 82-102.

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Small, Irene V. 2018. “Passion of the Same: Cacique De Ramos and the Multidão”. ARTMargins Vol. 7 (3): 6-33.

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Small, Irene V. 2011. “Openings: Matheus Rocha Pitta”. Artforum International.

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Small, Irene V. 2018. “A Questionnarie on ’Monuments’”. October, no. 165: 159-62.

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Small, Irene V. 2013. “Medium Aspecificity Autopoietic Form”. In Contemporary Art: Themes and Histories, 1989-Present, 117-25. London: Wiley Blackwell.

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Small, Irene V. 2014. “Live Streaming”. Artforum International.

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Small, Irene V. 2012. “Exit and Impasse”. Third Text Vol. 26 (1): 91-101.

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Small, Irene V. 2009. “Morphology in the Studio: Hélio Oiticica at the Museu Nacional”. Getty Research Journal, no. 1: 107-26. Publisher’s Version: Morphology in the Studio: Hélio Oiticica at the Museu Nacional.

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Small, Irene V. 2017. “Insertions into Historiographic Circuits”. October, no. 161: 69-88. Publisher’s Version: Insertions into Historiographic Circuits.

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Small, Irene V. 2009. “Believing in Art”. Res: Anthropology and Aesthetics Vol. 55/56: 294-307. Publisher’s Version: Believing in Art.

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